In honor of the Bard of Avon, born on April 16, 1564, this week’s Scrabble post features Shakespeare characters whose names are also playable common nouns.
ariel: a gazelle found in Africa (Ariel, The Tempest, 1611-12)
dogberry: the fruit of a dogwood tree (Dogberry, Much Ado about Nothing, 1598-1599)
hamlet: a village (the title character of Hamlet, 1600-1601)
lear: learning (the title character of King Lear, 1605-1606)
puck: a disk used in ice hockey and other games (Puck, A Midsummer Night’s Dream, 1595-1596)
romeo: a seductive lover, a male lover (one of the title characters in Romeo and Juliet, 1594-1595)
shylock: to lend money with a high interest rate (Shylock, The Merchant of Venice, 1596-1597)
Next Up
When class resumes next Wednesday, you will have your final Wordplay Day of the semester! To prepare, revisit the Dictionary and World Builder pages on the Scrabble website, and review the blog posts devoted to Scrabble tips, including this one.
This morning in class, you will have time to plan and prepare the individual presentation that you will deliver during the exam period, 8 a.m. Tuesday, April 29. I will distribute copies of the assignment in class. An additional copy is posted on Blackboard and the directions are also included below.
Overview
As a finalist for a much-sought-after internship in your field, you are required to deliver a concise and engaging presentation that highlights your achievements in English 1103 and demonstrates your ability to effectively assume the responsibilities that the internship requires of you. Among the aspects of the course that you should address are one or more of your major writing assignments and the development of your critical thinking and collaboration skills. You are encouraged but not required to address additional aspects of the course.
Directions for Planning
Plan a brief presentation of approximately three minutes that highlights your achievements in English 1103 and demonstrates your ability to effectively assume the responsibilities that the internship in your field requires of you.
Address one or more of your major writing assignments and the development of your critical thinking and collaboration skills. You are encouraged but not required to address additional aspects of the course.
Include the following in your presentation:
an opening in which you state your first and last names and your major,
concrete details in your blog that illustrate the development of your writing, your critical thinking, and your collaboration skills
a close examination of one pertinent passage in your blog, and
a conclusion that provides closure and invites questions from the interview committee.
Directions for Rehearsing
In preparation for rehearsing, write your notes on index cards. If your notes are in complete sentences, rewrite them to include only words and short phrases for your key points. If your notes are too detailed, you will risk relying heavily on them and making minimal eye contact with the interview committee. Make as much eye contact as possible and be sure to make eye contact with committee members throughout the room rather than fixing your eyes on one or two people.
Because you are required to project your blog on the classroom screen, you should familiarize yourself with the presentation station. Demonstrating that you are not adept at using the technology required for your presentation may jeopardize your chances for obtaining the internship. If you have not used the presentation station, I encourage you to devote part of today’s class period to familiarizing yourself with its setup.
Practice good posture. As you deliver your presentation, your ears should be directly above your shoulders. If you tend to shift your weight from one foot to the other—a distracting habit that’s sometimes called rocking the boat—stand with your feet perpendicular to each other. If you do, you will not be able to shift your weight from one foot to the other.
Avoid filler words, such as um, like, and you know. If you tend to use filler words, practice pausing at the points where you are likely to use fillers.
Rehearse with a classmate. Take turns delivering your presentations and offering feedback. Offer both suggestions for improvement and words of encouragement.
Grade Criteria
An A final presentation includes all elements outlined in the directions for planning and rehearsing and demonstrates the presenter’s poise and ability to avoid filler words.
A B final presentation includes all elements outlined in the directions for planning and rehearsing but may be marred by the presenter’s lack of poise and/or lack of ability to avoid filler words.
A C final presentation includes most but not all elements outlined in the directions for planning and rehearsing and may also be marred by the presenter’s lack of poise and/or lack of ability to avoid filler words.
A D final presentation includes only some of the elements outlined in the directions for planning and rehearsing and may also be marred by the presenter’s lack of poise and/or lack of ability to avoid filler words.
An F final presentation includes few if any elements outlined in the directions for planning and rehearsing and may also be marred by the presenter’s lack of poise and/or lack of ability to avoid filler words.
Next Up
When class resumes next Wednesday, you will have your last Wordplay Day. To prepare, revisit the Dictionary and World Builder pages on the Scrabble website, and review the blog posts devoted to Scrabble tips.
Remember that High-PURCS, (High Point University Research and Creativity Symposium) will be held today from 12:30-6 p.m. at the Nido and Mariana Qubein Conference Center.
To encourage you to attend, you have the opportunity to earn five bonus points for your final in-class assignment.
To earn bonus points, follow these steps:
Attend a portion of High-PURCS, today, Tuesday, April 15, at the Nido and Mariana Qubein Conference Center from 12:30-6:00 p.m.
View a minimum of five presentations.
For each, list the presentation identifier (poster number or oral session time and room), topic, and name of the presenter, as well as what you learned from the presenter, on the online form provided.
Attending High-PURCS will not only offer you the chance to see student projects produced for upper-level courses, it will also serve as an opportunity for you to see how your own final essay and annotated bibliography might develop into a larger project for an upper-level course.
For a complete schedule of the High PURCS sessions, see the April 10 blog post.
Next Up
In class on Wednesday, you will plan and prepare for the individual oral presentation that you will deliver during the exam period at 8 a.m. on Tuesday, April 29. You will receive a copy of the assignment in class, and it will be featured in Wednesday’s blog post.
Today in class you will compose a final reflective essay that documents your work in the second half of the semester, focusing on what you consider some of your most significant work and the feature or features of the course that have benefited your development as a writer and a student. Since you have already written a reflective essay on your final essay and annotated bibliography, your final reflection should focus on other assignments and features, including one, two, or three of the following:
Studying one of the texts we have examined in the second half of the semester, including “The Case for Writing Longhand,” The Competition, “Scrabble is a Lousy Game,” Seedlings, “Skim Reading is the New Normal,” “Strawberry Spring,” or the sample final essay and annotated bibliography (“Scrabble as a Game Changer in the College Classroom”)
Writing for an online audience beyond the classroom/creating and maintaining a WordPress blog
Delivering your group presentation on the first four lessons of the Check, Please! course
Collaborating with your classmates on in-class writing assignments
Playing Scrabble/Collaborating with your teammates on Wordplay Day
Writing longhand
Limiting screen time
Keeping a journal
Focus on one, two, or three assignments or features of the course.
Include in your reflective essay the following elements:
A title that offers a window into your reflection
An opening paragraph that introduces your focus and presents your thesis
Body paragraphs that offer concrete details from your work to support your thesis.
A relevant quotation from Writing Analytically or a relevant quotation from one of the texts that we have studied in the second half of the semester. Introduce your quotation with a signal phrase and follow it with a parenthetical citation. Refer to your citation handout for models.
A conclusion that revisits the thesis without restating it verbatim
An MLA-style works cited entry for your source
Sample MLA Works Cited Entries
Aubrey, Allison. “A Break from Your Smartphone Can Reboot Your Mood: Here’s How Long You Need.” NPR, 24 Fb. 2025. https://www.npr.org/2025/02/24/nx-s1-5304417/smartphone-break-digital-detox-screen-addiction#:~:text=Researchers%20studied%20what%20happened%20when,felt%20better%20after%20the%20break.
Rosenwasser, David and Jill Stephen. “Arriving at an Interpretive Conclusion: Making Choices.” Writing Analytically, 9th edition. Wadsworth/Cengage, 2024. pp.111-12.
—. “Integrating Quotations into Your Paper.” Writing Analytically, 9th edition. Wadsworth/Cengage, 2024. pp. 343-46.
—. “The Idea of the Paragraph.” Writing Analytically, 9th edition. Wadsworth/Cengage, 2024. pp. 307-313.
—. “Two Methods for Conversing with Sources.” Writing Analytically, 9th edition. Wadsworth/Cengage, 2024. p. 325.
—. “Ways to use a Source as a Point of Departure.” Writing Analytically, 9th edition. Wadsworth/Cengage, 2024. p. 326.
Next Up
In class on Wednesday, you will plan and prepare for the individual oral presentation that you will deliver during the exam period, Tuesday, April 29, at 8 a.m. You will receive a copy of the assignment in class, and it will be featured in Wednesday’s blog post.
As I noted in last week’s Scrabble post, keeping a u on your rack before the q is played is one way to decrease the chances that you will be left holding the q, a deduction of ten points. From the “Two-Letter Words, Q-Z” blog post, you know that qi (the central life force in Chinese culture) is one u-less option–and one that’s fairly easy to play since there are nine i’s in the game. Learning additional q words without u’s, such as the ones listed below, will increase your word power and provide you with more options for playing the q.
qibla(s): the direction of the Kaaba shrine in Mecca toward which all Muslims turn in ritual prayer. Also qiblah, kibla, and kiblah
qigong(s): a Chinese system of physical exercises.
qindar, pl. dars or darka: a monetary unit of Albania. Also qintar(s).
qiviut: the wool of a musk ox.
qoph(s): the nineteenth letter of the Hebrew alphabet. Also koph.
Next Up
Wordplay Day! To prepare for class, revisit the Dictionary and World Builder pages on the Scrabble website, and review the blog posts devoted to Scrabble tips, including this one.
To encourage you to attend next Tuesday’s High-PURCS (High Point University Research and Creativity Symposium) you have the opportunity to earn five bonus points for your final in-class assignment.
To earn bonus points, follow these steps:
Attend a portion of High-PURCS, which will be held next Tuesday, April 15, at the Nido and Mariana Qubein Conference Center from 12:30-6:00 p.m.
View a minimum of five presentations.
For each, list the presentation identifier (poster number or oral session time and room), topic, and name of the presenter, as well as what you learned from the presenter, on the online form provided.
Attending High-PURCS will not only offer you the chance to see student projects produced for upper-level courses, it will also serve as an opportunity for you to see how your own final essay and annotated bibliography might develop into a larger project for an upper-level course.
Next Up
Wordplay Day! To prepare for class, revisit the Dictionary and World Builder pages on the Scrabble website, and review the blog posts devoted to Scrabble tips.
This morning in class, you will plan and compose a short reflective essay that documents your writing process and includes at least one relevant quotation from Writing Analytically or the article that served as a starting point for your project. You will introduce your quotation with a signal phrase and follow your essay with a works cited entry.
Questions to Consider in Your Reflection
What aspect of the writing seemed the most challenging? Locating relevant sources? Composing your annotations? Developing the final essay? Why did that aspect seem the most challenging?
Did your subject change? If so, what was your original subject, and why did you change it?
What do you consider the strongest element of your final essay and annotated bibliography?
At what point in the process did you decide on a title? Did you change the title during the writing process? If so, what was the original title?
What image that documents part of your writing process away from the screen did you include in your blog post? Why did you choose that particular image?
To which relevant website did you include an embedded link in your blog post?
Sample Quotations with Signal Phrases
The authors of Writing Analytically advise writers to “frame material with a phrase such as ‘according to Sprayberry’ or ‘as Gruen argues'” (Rosenwasser and Stephen 344).
Rosenwasser and Stephen advise writers to “frame material with a phrase such as ‘according to Sprayberry’ or ‘as Gruen argues'” (344).
The parenthetical citation in the first sample above includes the authors’ last names because they are not named in the sentence. The parethetical citation in the second sample above does not include the authors’ last names because they are named in the sentence.
Rosenwasser, David and Jill Stephen. “Integrating Quotations into Your Paper.” Writing Analytically, 9th edition. Wadsworth/Cengage, 2024. pp. 343-46.
—. “The Idea of the Paragraph.” Writing Analytically, 9th edition. Wadsworth/Cengage, 2024. pp. 307-313.
—. “Two Methods for Conversing with Sources.” Writing Analytically, 9th edition. Wadsworth/Cengage, 2024. p. 325.
—. “Ways to use a Source as a Point of Departure.” Writing Analytically, 9th edition. Wadsworth/Cengage, 2024. p. 326.
Note that your work cited entry in your reflection–and all of the work cited entries and bibliographic entries except for the ones on your blog–should have a hanging indent.
Next Up
Wordplay Day! To prepare for class, revisit the Dictionary and World Builder pages on the Scrabble website, and review the posts on my blog devoted to Scrabble tips.
Yesterday in class, after we studied Ian Falconer’s New Yorker cover The Competition, we examined Tetsuya Ishida’s painting Seedlings (1998), and you chose one of those two visual texts as the subject of a writing exercise–a bibliographic entry, followed a paragraph of summary and a second paragraph of commentary–as practice is your ongoing annotation work. My versions of the assignment, which I wrote as samples for you, appear below.
Summary
Tetsuya Ishida’s Seedlings depicts a classroom of uniformed Japanese teenagers, all males, whose teacher, seen only from the shoulders down, holds a textbook in one hand. The teacher drapes his other hand on the head of one of the pupils, one of two students presented as microscopes with human faces.
Commentary
Although the subject at hand is biology, the study of living organisms, the student seedlings barely seem alive themselves as they stare blankly into the distance. The uniformity Ishida depicts with their haircuts, crested blazers, striped neck ties, and rows of desks, takes a surrealistic twist with the images of the two pupils who have transformed into microscopes. By placing the teacher’s hand on one of the students-turned-microscope, Ishida indicates that the instructor—himself objectified by the absence of his head—approves of the metamorphosis, that for him, the goal of education is for the individual to be consumed by the subject itself, becoming merely a cold metallic instrument.
. . . and a Second Look at The Competition
Falconer, Ian. “The Competition.” Writing Analytically by David Rosenwasser and Jill Stephen, 9th edition, Wadsorth/Cengage, 2024. p. 108.
Summary
Ian Falconer’s mostly black-and-white New Yorker cover The Competition depicts four beauty pageant contestants, three of whom stand in stark contrast to Miss New York. Her dark hair, angular body, narrowed eyes, tightly pursed lips, and two-piece bathing suit set her apart from the nearly-identical blondes–Miss Georgia, Miss California, and Miss Florida–with wide-open eyes and mouths and one-piece bathing suits.
Commentary
The self-satisfied expression of Miss New York suggests what the authors of Writing Analytically present as the second of two possible interpretations for The Competition: “[T]he magazine is . . . admitting , yes America, we do think that we’re cooler and more individual than the rest of you, but we also know that we shouldn’t be so smug about it” (Rosenwasser and Stephen 112).
Work Cited
Rosenwasser, David and Jill Stephen. Chapter 3: “Interpretation: Asking So What?” Writing Analytically, 9th edition. Wadsworth/Cengage, 2024. pp. 81-118.
Next Up
In class on Wednesday, you will compose a short essay that reflects on the process of researching, drafting and revising your final essay and annotated bibliography. In it, you will include one relevant quotation from the article that served as a starting point for your project or a relevant quotation from Writing Analytically.
Falconer, Ian. “The Competition.” Writing Analytically by David Rosenwasser and Jill Stephen, 9th edition, Wadsorth/Cengage, 2024. p. 108.
Today in class, we will examine Ian Falconer’s New Yorker magazine cover The Competition and a second visual text: Tetsuya Ishida’s painting Seedlings. Following our in-class study of Falconer’s and Ishida’s artwork, you will choose one of the two visual texts to serve as the subject of a writing exercise–a bibliographic entry followed by a paragraph of summary and a second paragraph of commentary–as practice in your ongoing annotation work.
If the style of Ian Falconer’s New Yorker cover seems familiar to you, it may be because you encountered his work when you were a child. His book Olivia, published in 2000, received the 2001 Caldecott Medal, an award the Association for Library Service bestows upon the book they deem the best children’s picture book of the year. Falconer followed Olivia with several sequels, including Olivia Saves the Circus and Olivia Helps with Christmas.
. . . A Model Final Essay and Annotated Bibliography
Scrabble as a Game Changer in the College Classroom
Earlier this month, when I reread Jonathan Kay’s Wall Street Journal op-ed feature “Scrabble is a Lousy Game,” I once again meditated on his criticism of Scrabble as a word game that deemphasizes semantics. In Kay’s words, “Scrabble treats language the way computers do—as arbitrarily ordered codes stored in a memory chip” (par. 7). I asked myself, if I want my students to play a board game that cultivates word power, collaboration, and critical thinking skills, is Scrabble the game to choose? Thus, Kay’s review became the starting point for my research on the benefits of Scrabble play. As I scrolled through search results, I found not only articles that specifically addressed Scrabble in the college classroom but also many that focused on the value of the game itself for sharpening the mind.
The bibliography that follows includes Kay’s review, the starting point for my research, four refereed research articles, and two interviews with former students of mine. Three of the four refereed articles offer windows into the classrooms of professors who have incorporated Scrabble play into their curricula: an English professor at California State University-Monterey Bay, a professor of Christian education at MidAmerica Nazarene University, and a professor of engineering at Tomsk Polytechnic University in Russia. The fourth article addresses cognitive evaluations of competitive Scrabble players and what they reveal about how experience shapes word recognition.
Though Kay’s criticism of Scrabble warrants reconsidering the inclusion of Scrabble in my first-year writing classes, his disapproval of the game stems from the practices of tournament-level players, not people for whom the game is a pastime—or from students, like mine, who play Scrabble as a classroom exercise. It’s also notable that collaboration, which is an essential component of team Scrabble, does not factor in Kay’s review.
In “Tabletop Games and 21st Century Skills Practice in the Undergraduate Classroom,” Mark Hayse and his colleagues who participated in the study report “that tabletop gameplay helped students move from classroom passivity to classroom ‘engagement’” (298). My own students did not address engagement in their interviews with me—though their engagement is evident during Scrabble play—but instead focused on vocabulary building and the relationship of the game to the composing process. Jesse Brewer noted that the game has “introduced [him] to new words,” and Ava Salvant observed that the game has “[p]robably influenced [her] ability to write.”
How much does Scrabble play cultivate our word power? The answer to that question remains unclear, but the research of psychologists and educators points to the merits of team Scrabble for improving not only our language skills but also our facility with critical thinking, team-building, and spatial skills.
As I review the research on Scrabble that I have outlined here, I envision it as groundwork for a larger project, one in which I would use the theoretical framework of composition studies to examine the benefits of incorporating Scrabble play into the first-year writing curriculum. Such a project could be an interdisciplinary one since some of the skills the game promotes, such as collaboration and problem solving, are key to a variety of disciplines. Whether I undertake that project, the knowledge that I have gained will inform my teaching as I continue to seek ways to improve my students’ quality of learning through opportunities for wordplay in the classroom.
Annotated Bibliography
Brewer, Jesse. Interview. Conducted by Jane Lucas. 20 Oct. 2023.
English 1103 student Jesse Brewer recounts how he has played Scrabble for most of his life. Ever since he was a young child, he has played the game with his grandparents whenever he visited their home in Pennsylvania. Brewer will continue to play Scrabble after the end of the semester because the game remains a tradition in his family. In his words, “[M]y grandmother is still going to want to play it every summer.” Brewer also notes how the game has expanded his vocabulary, saying it has “introduced me to new words, which allows me to read and write more capably in everyday life.”
Brewer’s remarks on vocabulary building highlight the game’s verbal benefits, and his observations on Scrabble as a family tradition serve as a point of contrast to that of some other students’—such as Ava Salvant’s—who had not played Scrabble before playing it as a weekly exercise in English 1103.
Brewer is a sophomore computer science major at High Point University, where he was enrolled in English 1103, section 20, in 2023.
“Critical Habits of Mind” addresses the teaching practices of a group of college math andwriting faculty who collaborated to develop lessons to foster intellectual capacities, such as motivation and self-efficacy. Developmental educational instructors from three Californiacolleges, Cabrillo College, California State University-Monterey Bay, and Hartnell College, partnered to pilot classroom activities, including clicker technology, peer writing review, improvisation, metacognitive writing activities, and Scrabble Fridays. Reflecting on their collaboration, Fletcher observes that foregrounding procedural knowledge, as their pilot activities did, enabled them to couple their teaching of discipline-specific content with the set of behaviors essential to teaching and learning. Fletcher notes that Hetty Yelland, who devotes her Friday classes to Scrabble play, observes “the extra effort students have to make to overcome the boredom—and their passive word knowledge . . . eventually leads to more active and internalized language practices” (54).
Fletcher’s account of Hartnell writing instructor Hetty Yelland’s Scrabble Fridays is of particular value to education researchers and teachers considering Scrabble play as a classroom activity that dovetails with discipline-specific content and also fosters foundational learning skills.
Jennifer Fletcher is a professor of English at California State University, Monterey Bay. Her books include Teaching Arguments, Teaching Literature Rhetorically, and Writing Rhetorically.
“How a Hobby Can Shape Cognition” presents the findings of Canadian researchers inthe Departments of Psychology and Medicine at Calgary University who investigated how the word recognition skills of competitive Scrabble players differed from those of age-matched nonexperts. The researchers’ cognitive evaluations revealed differences only in Scrabble-specific skills, such as anagramming. Also, the researchers observed that Scrabble expertise was associated with two specific effects: vertical fluency and semantic deemphasis. The study’s results indicate that experience shapes visual word recognition.
The research of Hargreaves and his former colleagues at Cardiff is pertinent to educators who seek to understand the cognitive benefits of frequent Scrabble play. Notably, the semantic deemphasis that the study identifies—and that Jonathan Kay addresses in his commentary—contrasts the gains in language skills that Hetty Yelland observes in her students.
Ian Hargreaves is professor emeritus of journalism, media, and culture at Cardiff University and one of the contributors to A Manifesto for the Creative Economy, a ten-point plan for bolstering creative industries.
Hayse, Mark. “Tabletop Games and 21st Century Skill Practice in the UndergraduateClassroom.” Teaching Theology & Religion, vol. 21, no. 4, 2018, pp. 288–302., https://onlinelibrary-wiley-com.libproxy.highpoint.edu /doi/epdf/10.1111/teth.12456.
“In Tabletop Games and 21st Century Skill Practice in the UndergraduateClassroom,” the research of Mark Hayse and his colleagues is guided by the primary research question, “Does tabletop gameplay require the practice of 21st century skills?” (290), and their secondary question, “What initial links might be drawn between tabletop gameplay, 21st century skill practice, and undergraduate learning?” (290). All three professors reported “that tabletop gameplay helped students move from classroom passivity to classroom ‘engagement’” (298) and that “[e]ven though tabletop gameplay technically was coursework . . . the nontraditional nature of it seemed to render it as play more than work” (298).
Hayes’s findings are useful for researchers interested in how incorporating table-top game play into college curricula fosters such twentieth-first century skills as critical thinking and problem solving, creativity and innovation, communication, and collaboration. His findings are also of particular value to educators considering adding table-top game play to their secondary- or post-secondary courses.
Mark Hayse is Director of the Honors Program and Mabee Library Professor at MidAmerica Nazarene University. His other publications include an essay on the World of Warcraft, a study of the video game featured in the collection Don’t Stop Believin’: Pop Culture and Religion from Ben Hur to Zombies, edited by Robert K. Johnston, Craig Detweiler, and Barry Taylor.
Kay, Jonathan. Review. “Scrabble is a Lousy Game.” The Wall Street Journal, 4 Oct. 2018. ProQuest, https://libproxy.highpoint.edu/login?url=https://www.proquest.com /newspapers/scrabble-is-lousy-game-why-would-anyone- play/docview/2116081665/se- 2?accountid=11411.
In “Scrabble is a Lousy Game,” writer and editor Jonathan Kay criticizes Scrabble for its lack of emphasis on semantics. In Kay’s words, the game “is like a math contest in which you are rewarded for reciting pi to the 1,000th decimal place but not knowing that it expresses the ratio of a circle’s circumference to its diameter” (par. 5). Kay asserts that the best board games for casual players involve a mix of luck and skill and recommends two other board games, Codenames and Paperback, as better options for wordplay.
While Kay’s review focuses on the competitive player’s approach to Scrabble, the concerns he raises about the game’s deemphasis of word meaning and the frustration that novice players can experience warrant the attention of educators who are researching the potential drawbacks of introducing Scrabble play into their classrooms.
Jonathan Kay is senior editor of the journal Quillette and the author of Your Move: What Board Games Teach Us About Life.
Kobzeva, Nadezda. “Scrabble as a Tool for Engineering Students’ Critical Thinking Skills and Development.” Procedia: Social and Behavioral Sciences, no. 182, 2015, pp. 369-74. ScienceDirect, https://www.sciencedirect.com/ science/article/pii/S1877042815030669.
“Scrabble as a Tool for Engineering Students’ Critical Thinking Skills and Development” presents research involving second-year engineering students and teachers of EFL (English as a Foreign Language) at Tomsk Polytechnic University in Tomsk, Russia. The students, all non- native speakers of English, played Scrabble as an in-class and out-of-class-activity for oneacademic year. At the end of the year, the best six student players competed in teams in a tournament against two teams of the six EFL teachers. Throughout the tournament—which was conducted outside of the classroom to relieve students of the pressure to obtain a high score—the researcher, Nadezda Kobzeva, observed the contrast in the students’ and teachers’ practices as players. While the EFL instructors possessed an advanced knowledge of English language, they were newcomers to Scrabble. On the other hand, the engineering students with limited knowledge of English relied on the skills they developed throughout their year-long Scrabble program. In the feedback the students provided after the tournament, which they won, the majority rated the skills they developed as Scrabble players as excellent in all five fields assessed, including team building, thinking, spatial skills, vocabulary, and spelling.
Kobzeva focuses her research on engineering students, but her findings are also valuable to researchers and teachers in other fields who seek answers to the questions of how Scrabble can be used effectively as a learning tool, and what specific skills students may develop through frequent play. Unlike Mark Hayse’s findings, which focus exclusively on the twenty-first century skills, known as the 4Cs, Kobzeva’s research highlights other skills that students develop—in particular the Russian engineering students’ (non-native speakers of English) greater facility with the English language.
Nadezda Kobzeva is a professor of engineering at Tomsk Polytechnic University. Her other research articles include “Ontology of Key Metasigns in Translatology,” published in V Mire Nauchnykh Otkrytii (In the World of Scientific Discoveries).
Salvant, Ava. Interview. Conducted by Jane Lucas. 23 Oct. 2023.
English 1103 student Ava Salvant reveals that she had never played a game of Scrabble before playing it as a weekly exercise in English 1103. She also notes that the game has “[p]robably influenced [her] ability to write because not always when you sit down to write do you know the exact words that you want to say. You kind of have to go with the flow and put down as many words as you can on the board in Scrabble or on the paper in writing.”
Salvant’s observations as a novice Scrabble player underscore the similarities between game play and the writing process, and they also serve as a point of contrast to that of some other students’—such as Jesse Brewer’s—who bring years of Scrabble experience to their first-year writing class.
Ava Salvant is a sophomore neuroscience major at High Point University, where she was enrolled in English 1103, section 19, in 2023.
Next Up
At the beginning of class on Wednesday we will revisit The Competition and Seedlings, and you will have the remainder of the period to devote to writing your reflection on your final essay and annotated bibliography.
Keeping a u on your rack before the q is played is one way to decrease the chances that you will be left holding the q, a deduction of ten points. Learning q words without u’s, such as the ones listed below, will increase your word power and provide you with more options for playing the q.
qabala(s): an esoteric method, discipline, and school of thought in Jewish mysticism. Also qabalah, cabala, and kabbalah.
qadi(s): an Islamic judge. Also cadi.
qaid(s): a Muslim tribal chief. Also caid.
qajak(s): a kayak.
qamutik(s): a sled drawn by dogs. Also komatik.
qanat(s): a system of underground tunnels and wells in the Middle East
qapik(s): a monetary subunit of the manat (Azerbaijan).
qat(s): a shrub
qawwali(s): a style of Muslim music
Next Up
Wordplay Day! To prepare for class, revisit the Dictionary and World Builder pages on the Scrabble website, and review the blog posts devoted to Scrabble tips, including this one.