This morning in class, after your Scrabble debriefing, we will examine David Sedaris‘ essay “Me Talk Pretty One Day,” and you and three of your classmates will collaborate on an exercise that asks you to examine–and subsequently address in writing–these elements of his literacy narrative:
Scene and summary–you will examine how and where Sedaris shifts from one to the other
Figurative language–you will identify examples of metaphors, similes, and hyperbole
Each of these elements can play an important role in a narrative, none more so than scene, which is vital to a story’s life. Without it, a narrative falls flat. With summary, a writer compresses time to offer an overview of events. Through scene, a writer lets time unfold in front of the readers’ eyes, which is what readers prefer. They are drawn into a narrative when they can see for themselves what is happening.
Figurative language is an expression not meant to be taken literally but instead stands for something related. Figures of speech make writing more vivid and can deepen a reader’s understanding of and connection to a piece of writing. In Imaginative Writing, novelist Janet Burroway observes, “Both metaphor and simile compare things that are both alike and different, and it is the tension between this likeness and difference that their literary power lies” (25).
Tomorrow’s blog post will list some of the examples of scene, summary, and figurative language that you identify in “Me Talk Pretty One Day.”
Work Cited
Burroway, Janet. Imaginative Writing: The Elements of Craft. Pearson, 2014.
Scrabble Debriefings
At the beginning of class every Monday, I will return your Scrabble score sheets from Friday, and you and your group members will participate in a Scrabble debriefing in which you will (1) review and discuss your game, and (2) individually compose journal entries on the game. Questions to address include but are not limited to the ones on the handout that I will distribute this morning in class. Those questions for consideration are also listed below.
Did you learn any new words from your teammate or from your opponents? If so, what were they?
What plays involved analyzing multiple options? Did your team opt not to make the highest-scoring play possible in order to either (1) block your opponent, or (2) keep letters that might enable you to score more points later?
Where did creative problem-solving figure in the game? If your team had a rack of all consonants or vowels–or mostly consonants or vowels–how were you able to advance the game by playing only one or two letters?
What was the largest number of words formed in a single play and what were they?
Scrabble, like writing, is a process of composing, only the board game involves composing smaller units, words rather than sentences and paragraphs. What parallels, if any, can you draw between your Scrabble play and your writing process?
You will have the opportunity to draw on the journal entries that you write during debriefings when you compose your midterm and final reflections for the course. If you choose Scrabble as the focus of your final essay and annotated bibliography, you may incorporate portions of your Scrabble debriefings into that assignment as well.
Scrabble Skibidi?
The picture below, which also appears in the August 21 post, demonstrates how a player, or team, can form multiple words through parallel play.
The second player’s, or team’s, four-word play in a single turn is viable because all of the letters that touch form playable words:
whoa: used to command an animal to stop
he: a male person
on: a function word to indicate position (on top of)
aa: a type of lava
The pictures below, from last Friday’s Wordplay Day, show several instances of incorrect play where letters that touch are nonwords.
Deletedh, dh, and ng are all nonwords; Tigel and Gio are not playable in Scrabble because they are proper nouns–specifically product brands–that are not also common nouns.
Jigv, du, oo, lf, ua, ttssc, and sheete are all nonwords.
Keep your eyes on the board when you and your opponents are playing words. If you are uncertain whether letters that touch form a playable word, don’t play it. And if you question the validity of a word that your opponents play, challenge the word immediately. A challenge must directly follow a questionable play.
In class on Wednesday, you will begin drafting your first major writing assignment longhand. The assignment, a literacy narrative, is an account of a learning experience involving reading, writing, or learning to speak a language. As part of your prewriting process, look back at “Me Talk Pretty One Day” and consider how you might incorporate into your own essay some of the same elements that David Sedaris includes in his.
This morning in class, we will review the syllabus exercise that you completed on Monday. After that, I will return your reflections-in-progress, and you and three of your classmates will compose two paragraphs that incorporate some of the details from your individual reflections.
Directions
Discuss your writing with your group members, and collaboratively plan and compose two paragraphs that address your various experiences with your most recent literature and composition courses.
In the first paragraph, provide a summary of your experiences. Your first sentence might begin something like this: Our recent English courses include Advanced Placement Language and Composition, AP Literature and Composition, and courses focusing on American literature and journalism. The sentences that follow should include more specific details, such as some of the works that you studied, identified by title and/or author, and one or more of the major assignments. Keep in mind that your first paragraph is a summary, which by definition is objective. Do not comment on the courses; simply provide an overview of them.
In the second paragraph, offer commentary on the courses. (Here is where your personal observations enter the writing.) Since you will not be able to address everyone’s take on all of the courses, you’ll need to be selective. One way to organize the paragraph is to focus on some of the differences among your group members’ experiences; focusing on similarities is another option. Yet another option is this: focusing on how the courses contributed to your group members’ development as writers, as analytical readers, as both, or as neither.
After the note taker has recorded your paragraphs, allow time for each group member to review them and offer recommendations for revisions. Discuss any suggestions for changes and edit as needed.
Next Up
Wordplay Day! To prepare for class, visit the Dictionary and World Builder pages on the Scrabble website, and review tomorrow’s post on my blog devoted to Scrabble tips. If you have never played Scrabble before, be sure to watch this short video on how to play Scrabble.
Before tomorrow’s class, be sure to complete the following tasks.
Review yesterday’s blog post as well as the syllabus. If you added the class after our first meeting on Monday, you can download the syllabus from Blackboard. In your journal, jot down any questions you have about the course.
Also, if you added the class after our first meeting on Monday, begin composing a reflective essay focusing on your most recent experiences in literature and/or composition courses. Begin your essay with a one-paragraph summary for each of the courses (two paragraphs, total). Keep in mind that summaries are by nature objective. Do not comment on the courses, simply offer an overview of them.
Follow those paragraphs with your observations on the courses. (Here is where your personal observations enter the writing.) Points to address include the following:
Were the courses similar to or different from your previous English classes? How?
Did the courses contribute to your development as a writer, an analytical reader, both, or neither?
How did those courses shape your attitude towards writing and/or reading?
How do you anticipate that English 1103 may be similar to or different from those courses?
If you haven’t purchased or rented it already, order the textbook, the paperback edition of Writing Analytically, 9th edition, by David Rosenwasser and Jill Stephen.
Also, as soon as possible, create a free WordPress blog at wordpress.com, and email the URL to me so that I can link your blog to the class page.
Because writing longhand and limiting screen time are essential components of the class, I am including below some notes that illustrate why those practices, which may seem quaint, are vital to our work.
Writing Longhand
One practical reason for writing longhand: What we mark through remains on the page. Sometimes what we cross out can be useful later on, elsewhere in our writing. More importantly, research in cognitive neuroscience indicates that writing longhand has these benefits:
When we use our phones and laptops, it’s difficult for us to give our undivided attention to one endeavor, but often that singular focus is critical.
When we type on our phones, we often aim to convey as much as we can with as few characters as possible. Texting and emailing–both of which now feature predictive text–do not foster the vital skills of developing our writing and producing original thought.
Limiting our screen time not only helps us improve our writing skills, it can also benefit our overall well-being.
The research cited in the links that I’ve included above isn’t definitive, but it makes a strong case for the value of limiting our screen time and putting pen to paper. I encourage you to continue these practices after the semester ends.
Next Up
On Wednesday, we will continue the course overview, I will return the reflective writing that you began on Monday, and you will have additional time to develop your reflection in class.
(L-R) Madison Kline, ENG 1103.19 Fall 2024, Kaitlyn Ngo, and Olivia Quinones with their poster display for their research project “Environmental Effects on Wing Shape in the Painted Lady Butterfly, Vanessa Cardui.”
Last Tuesday’s High-PURCS featured poster displays for research projects produced by two former students of mine: Molly McCarver, who was enrolled in English 1103.19 in the fall semester of 2023, and Madison Kline, who was enrolled in English 1103.19 in the fall semester of 2024.
Molly McCarver, ENG 1103.19 Fall 2023, with her poster display for her research project “The Prevalence of Physical Problems and Overuse Injury Symptoms in Adolescent Athletes.”
The final essays and bibliographies that you wrote for English 1103 may serve as starting points for larger projects, and I encourage you to consider pursuing those projects in upper-level courses and presenting those projects at High-PURCS as well as at undergraduate research and creative works conferences at other institutions.
Madison Kline (center) and her collaborators (right) discuss their project with a poster session attendee (left).
If you missed High-PURCS 2025, be sure to check out next year’s symposium. Attending the poster and presentation sessions will not only provide you with ideas and inspiration for your own projects, it will also show your support for the HPU students whose research achievements are on display.
Molly McCarver discusses her project with a poster session attendee (left).
Also consider submitting your writing to Innovation, High Point University’s journal of scholarly and creative work. For more information on Innovation, contact Editor-in-Chief Justin Cook, jcook3@highpoint.edu.
Next Up
Tomorrow marks your final Wordplay Day of the semester! To prepare, revisit the Dictionary and World Builder pages on the Scrabble website, and review the blog posts devoted to Scrabble tips.
Today in class you will compose a final reflective essay that documents your work in the second half of the semester, focusing on what you consider some of your most significant work and the feature or features of the course that have benefited your development as a writer and a student. Since you have already written a reflective essay on your final essay and annotated bibliography, your final reflection should focus on other assignments and features, including one, two, or three of the following:
Studying one of the texts we have examined in the second half of the semester, including “The Case for Writing Longhand,” The Competition, “Scrabble is a Lousy Game,” Seedlings, “Skim Reading is the New Normal,” “Strawberry Spring,” or the sample final essay and annotated bibliography (“Scrabble as a Game Changer in the College Classroom”)
Writing for an online audience beyond the classroom/creating and maintaining a WordPress blog
Delivering your group presentation on the first four lessons of the Check, Please! course
Collaborating with your classmates on in-class writing assignments
Playing Scrabble/Collaborating with your teammates on Wordplay Day
Writing longhand
Limiting screen time
Keeping a journal
Focus on one, two, or three assignments or features of the course.
Include in your reflective essay the following elements:
A title that offers a window into your reflection
An opening paragraph that introduces your focus and presents your thesis
Body paragraphs that offer concrete details from your work to support your thesis.
A relevant quotation from Writing Analytically or a relevant quotation from one of the texts that we have studied in the second half of the semester. Introduce your quotation with a signal phrase and follow it with a parenthetical citation. Refer to your citation handout for models.
A conclusion that revisits the thesis without restating it verbatim
An MLA-style works cited entry for your source
Sample MLA Works Cited Entries
Aubrey, Allison. “A Break from Your Smartphone Can Reboot Your Mood: Here’s How Long You Need.” NPR, 24 Fb. 2025. https://www.npr.org/2025/02/24/nx-s1-5304417/smartphone-break-digital-detox-screen-addiction#:~:text=Researchers%20studied%20what%20happened%20when,felt%20better%20after%20the%20break.
Rosenwasser, David and Jill Stephen. “Arriving at an Interpretive Conclusion: Making Choices.” Writing Analytically, 9th edition. Wadsworth/Cengage, 2024. pp.111-12.
—. “Integrating Quotations into Your Paper.” Writing Analytically, 9th edition. Wadsworth/Cengage, 2024. pp. 343-46.
—. “The Idea of the Paragraph.” Writing Analytically, 9th edition. Wadsworth/Cengage, 2024. pp. 307-313.
—. “Two Methods for Conversing with Sources.” Writing Analytically, 9th edition. Wadsworth/Cengage, 2024. p. 325.
—. “Ways to use a Source as a Point of Departure.” Writing Analytically, 9th edition. Wadsworth/Cengage, 2024. p. 326.
Next Up
In class on Wednesday, you will plan and prepare for the individual oral presentation that you will deliver during the exam period, Tuesday, April 29, at 8 a.m. You will receive a copy of the assignment in class, and it will be featured in Wednesday’s blog post.
This morning in class, you will plan and compose a short reflective essay that documents your writing process and includes at least one relevant quotation from Writing Analytically or the article that served as a starting point for your project. You will introduce your quotation with a signal phrase and follow your essay with a works cited entry.
Questions to Consider in Your Reflection
What aspect of the writing seemed the most challenging? Locating relevant sources? Composing your annotations? Developing the final essay? Why did that aspect seem the most challenging?
Did your subject change? If so, what was your original subject, and why did you change it?
What do you consider the strongest element of your final essay and annotated bibliography?
At what point in the process did you decide on a title? Did you change the title during the writing process? If so, what was the original title?
What image that documents part of your writing process away from the screen did you include in your blog post? Why did you choose that particular image?
To which relevant website did you include an embedded link in your blog post?
Sample Quotations with Signal Phrases
The authors of Writing Analytically advise writers to “frame material with a phrase such as ‘according to Sprayberry’ or ‘as Gruen argues'” (Rosenwasser and Stephen 344).
Rosenwasser and Stephen advise writers to “frame material with a phrase such as ‘according to Sprayberry’ or ‘as Gruen argues'” (344).
The parenthetical citation in the first sample above includes the authors’ last names because they are not named in the sentence. The parethetical citation in the second sample above does not include the authors’ last names because they are named in the sentence.
Rosenwasser, David and Jill Stephen. “Integrating Quotations into Your Paper.” Writing Analytically, 9th edition. Wadsworth/Cengage, 2024. pp. 343-46.
—. “The Idea of the Paragraph.” Writing Analytically, 9th edition. Wadsworth/Cengage, 2024. pp. 307-313.
—. “Two Methods for Conversing with Sources.” Writing Analytically, 9th edition. Wadsworth/Cengage, 2024. p. 325.
—. “Ways to use a Source as a Point of Departure.” Writing Analytically, 9th edition. Wadsworth/Cengage, 2024. p. 326.
Note that your work cited entry in your reflection–and all of the work cited entries and bibliographic entries except for the ones on your blog–should have a hanging indent.
Next Up
Wordplay Day! To prepare for class, revisit the Dictionary and World Builder pages on the Scrabble website, and review the posts on my blog devoted to Scrabble tips.
Yesterday in class, after we studied Ian Falconer’s New Yorker cover The Competition, we examined Tetsuya Ishida’s painting Seedlings (1998), and you chose one of those two visual texts as the subject of a writing exercise–a bibliographic entry, followed a paragraph of summary and a second paragraph of commentary–as practice is your ongoing annotation work. My versions of the assignment, which I wrote as samples for you, appear below.
Summary
Tetsuya Ishida’s Seedlings depicts a classroom of uniformed Japanese teenagers, all males, whose teacher, seen only from the shoulders down, holds a textbook in one hand. The teacher drapes his other hand on the head of one of the pupils, one of two students presented as microscopes with human faces.
Commentary
Although the subject at hand is biology, the study of living organisms, the student seedlings barely seem alive themselves as they stare blankly into the distance. The uniformity Ishida depicts with their haircuts, crested blazers, striped neck ties, and rows of desks, takes a surrealistic twist with the images of the two pupils who have transformed into microscopes. By placing the teacher’s hand on one of the students-turned-microscope, Ishida indicates that the instructor—himself objectified by the absence of his head—approves of the metamorphosis, that for him, the goal of education is for the individual to be consumed by the subject itself, becoming merely a cold metallic instrument.
. . . and a Second Look at The Competition
Falconer, Ian. “The Competition.” Writing Analytically by David Rosenwasser and Jill Stephen, 9th edition, Wadsorth/Cengage, 2024. p. 108.
Summary
Ian Falconer’s mostly black-and-white New Yorker cover The Competition depicts four beauty pageant contestants, three of whom stand in stark contrast to Miss New York. Her dark hair, angular body, narrowed eyes, tightly pursed lips, and two-piece bathing suit set her apart from the nearly-identical blondes–Miss Georgia, Miss California, and Miss Florida–with wide-open eyes and mouths and one-piece bathing suits.
Commentary
The self-satisfied expression of Miss New York suggests what the authors of Writing Analytically present as the second of two possible interpretations for The Competition: “[T]he magazine is . . . admitting , yes America, we do think that we’re cooler and more individual than the rest of you, but we also know that we shouldn’t be so smug about it” (Rosenwasser and Stephen 112).
Work Cited
Rosenwasser, David and Jill Stephen. Chapter 3: “Interpretation: Asking So What?” Writing Analytically, 9th edition. Wadsworth/Cengage, 2024. pp. 81-118.
Next Up
In class on Wednesday, you will compose a short essay that reflects on the process of researching, drafting and revising your final essay and annotated bibliography. In it, you will include one relevant quotation from the article that served as a starting point for your project or a relevant quotation from Writing Analytically.
Falconer, Ian. “The Competition.” Writing Analytically by David Rosenwasser and Jill Stephen, 9th edition, Wadsorth/Cengage, 2024. p. 108.
Today in class, we will examine Ian Falconer’s New Yorker magazine cover The Competition and a second visual text: Tetsuya Ishida’s painting Seedlings. Following our in-class study of Falconer’s and Ishida’s artwork, you will choose one of the two visual texts to serve as the subject of a writing exercise–a bibliographic entry followed by a paragraph of summary and a second paragraph of commentary–as practice in your ongoing annotation work.
If the style of Ian Falconer’s New Yorker cover seems familiar to you, it may be because you encountered his work when you were a child. His book Olivia, published in 2000, received the 2001 Caldecott Medal, an award the Association for Library Service bestows upon the book they deem the best children’s picture book of the year. Falconer followed Olivia with several sequels, including Olivia Saves the Circus and Olivia Helps with Christmas.
. . . A Model Final Essay and Annotated Bibliography
Scrabble as a Game Changer in the College Classroom
Earlier this month, when I reread Jonathan Kay’s Wall Street Journal op-ed feature “Scrabble is a Lousy Game,” I once again meditated on his criticism of Scrabble as a word game that deemphasizes semantics. In Kay’s words, “Scrabble treats language the way computers do—as arbitrarily ordered codes stored in a memory chip” (par. 7). I asked myself, if I want my students to play a board game that cultivates word power, collaboration, and critical thinking skills, is Scrabble the game to choose? Thus, Kay’s review became the starting point for my research on the benefits of Scrabble play. As I scrolled through search results, I found not only articles that specifically addressed Scrabble in the college classroom but also many that focused on the value of the game itself for sharpening the mind.
The bibliography that follows includes Kay’s review, the starting point for my research, four refereed research articles, and two interviews with former students of mine. Three of the four refereed articles offer windows into the classrooms of professors who have incorporated Scrabble play into their curricula: an English professor at California State University-Monterey Bay, a professor of Christian education at MidAmerica Nazarene University, and a professor of engineering at Tomsk Polytechnic University in Russia. The fourth article addresses cognitive evaluations of competitive Scrabble players and what they reveal about how experience shapes word recognition.
Though Kay’s criticism of Scrabble warrants reconsidering the inclusion of Scrabble in my first-year writing classes, his disapproval of the game stems from the practices of tournament-level players, not people for whom the game is a pastime—or from students, like mine, who play Scrabble as a classroom exercise. It’s also notable that collaboration, which is an essential component of team Scrabble, does not factor in Kay’s review.
In “Tabletop Games and 21st Century Skills Practice in the Undergraduate Classroom,” Mark Hayse and his colleagues who participated in the study report “that tabletop gameplay helped students move from classroom passivity to classroom ‘engagement’” (298). My own students did not address engagement in their interviews with me—though their engagement is evident during Scrabble play—but instead focused on vocabulary building and the relationship of the game to the composing process. Jesse Brewer noted that the game has “introduced [him] to new words,” and Ava Salvant observed that the game has “[p]robably influenced [her] ability to write.”
How much does Scrabble play cultivate our word power? The answer to that question remains unclear, but the research of psychologists and educators points to the merits of team Scrabble for improving not only our language skills but also our facility with critical thinking, team-building, and spatial skills.
As I review the research on Scrabble that I have outlined here, I envision it as groundwork for a larger project, one in which I would use the theoretical framework of composition studies to examine the benefits of incorporating Scrabble play into the first-year writing curriculum. Such a project could be an interdisciplinary one since some of the skills the game promotes, such as collaboration and problem solving, are key to a variety of disciplines. Whether I undertake that project, the knowledge that I have gained will inform my teaching as I continue to seek ways to improve my students’ quality of learning through opportunities for wordplay in the classroom.
Annotated Bibliography
Brewer, Jesse. Interview. Conducted by Jane Lucas. 20 Oct. 2023.
English 1103 student Jesse Brewer recounts how he has played Scrabble for most of his life. Ever since he was a young child, he has played the game with his grandparents whenever he visited their home in Pennsylvania. Brewer will continue to play Scrabble after the end of the semester because the game remains a tradition in his family. In his words, “[M]y grandmother is still going to want to play it every summer.” Brewer also notes how the game has expanded his vocabulary, saying it has “introduced me to new words, which allows me to read and write more capably in everyday life.”
Brewer’s remarks on vocabulary building highlight the game’s verbal benefits, and his observations on Scrabble as a family tradition serve as a point of contrast to that of some other students’—such as Ava Salvant’s—who had not played Scrabble before playing it as a weekly exercise in English 1103.
Brewer is a sophomore computer science major at High Point University, where he was enrolled in English 1103, section 20, in 2023.
“Critical Habits of Mind” addresses the teaching practices of a group of college math andwriting faculty who collaborated to develop lessons to foster intellectual capacities, such as motivation and self-efficacy. Developmental educational instructors from three Californiacolleges, Cabrillo College, California State University-Monterey Bay, and Hartnell College, partnered to pilot classroom activities, including clicker technology, peer writing review, improvisation, metacognitive writing activities, and Scrabble Fridays. Reflecting on their collaboration, Fletcher observes that foregrounding procedural knowledge, as their pilot activities did, enabled them to couple their teaching of discipline-specific content with the set of behaviors essential to teaching and learning. Fletcher notes that Hetty Yelland, who devotes her Friday classes to Scrabble play, observes “the extra effort students have to make to overcome the boredom—and their passive word knowledge . . . eventually leads to more active and internalized language practices” (54).
Fletcher’s account of Hartnell writing instructor Hetty Yelland’s Scrabble Fridays is of particular value to education researchers and teachers considering Scrabble play as a classroom activity that dovetails with discipline-specific content and also fosters foundational learning skills.
Jennifer Fletcher is a professor of English at California State University, Monterey Bay. Her books include Teaching Arguments, Teaching Literature Rhetorically, and Writing Rhetorically.
“How a Hobby Can Shape Cognition” presents the findings of Canadian researchers inthe Departments of Psychology and Medicine at Calgary University who investigated how the word recognition skills of competitive Scrabble players differed from those of age-matched nonexperts. The researchers’ cognitive evaluations revealed differences only in Scrabble-specific skills, such as anagramming. Also, the researchers observed that Scrabble expertise was associated with two specific effects: vertical fluency and semantic deemphasis. The study’s results indicate that experience shapes visual word recognition.
The research of Hargreaves and his former colleagues at Cardiff is pertinent to educators who seek to understand the cognitive benefits of frequent Scrabble play. Notably, the semantic deemphasis that the study identifies—and that Jonathan Kay addresses in his commentary—contrasts the gains in language skills that Hetty Yelland observes in her students.
Ian Hargreaves is professor emeritus of journalism, media, and culture at Cardiff University and one of the contributors to A Manifesto for the Creative Economy, a ten-point plan for bolstering creative industries.
Hayse, Mark. “Tabletop Games and 21st Century Skill Practice in the UndergraduateClassroom.” Teaching Theology & Religion, vol. 21, no. 4, 2018, pp. 288–302., https://onlinelibrary-wiley-com.libproxy.highpoint.edu /doi/epdf/10.1111/teth.12456.
“In Tabletop Games and 21st Century Skill Practice in the UndergraduateClassroom,” the research of Mark Hayse and his colleagues is guided by the primary research question, “Does tabletop gameplay require the practice of 21st century skills?” (290), and their secondary question, “What initial links might be drawn between tabletop gameplay, 21st century skill practice, and undergraduate learning?” (290). All three professors reported “that tabletop gameplay helped students move from classroom passivity to classroom ‘engagement’” (298) and that “[e]ven though tabletop gameplay technically was coursework . . . the nontraditional nature of it seemed to render it as play more than work” (298).
Hayes’s findings are useful for researchers interested in how incorporating table-top game play into college curricula fosters such twentieth-first century skills as critical thinking and problem solving, creativity and innovation, communication, and collaboration. His findings are also of particular value to educators considering adding table-top game play to their secondary- or post-secondary courses.
Mark Hayse is Director of the Honors Program and Mabee Library Professor at MidAmerica Nazarene University. His other publications include an essay on the World of Warcraft, a study of the video game featured in the collection Don’t Stop Believin’: Pop Culture and Religion from Ben Hur to Zombies, edited by Robert K. Johnston, Craig Detweiler, and Barry Taylor.
Kay, Jonathan. Review. “Scrabble is a Lousy Game.” The Wall Street Journal, 4 Oct. 2018. ProQuest, https://libproxy.highpoint.edu/login?url=https://www.proquest.com /newspapers/scrabble-is-lousy-game-why-would-anyone- play/docview/2116081665/se- 2?accountid=11411.
In “Scrabble is a Lousy Game,” writer and editor Jonathan Kay criticizes Scrabble for its lack of emphasis on semantics. In Kay’s words, the game “is like a math contest in which you are rewarded for reciting pi to the 1,000th decimal place but not knowing that it expresses the ratio of a circle’s circumference to its diameter” (par. 5). Kay asserts that the best board games for casual players involve a mix of luck and skill and recommends two other board games, Codenames and Paperback, as better options for wordplay.
While Kay’s review focuses on the competitive player’s approach to Scrabble, the concerns he raises about the game’s deemphasis of word meaning and the frustration that novice players can experience warrant the attention of educators who are researching the potential drawbacks of introducing Scrabble play into their classrooms.
Jonathan Kay is senior editor of the journal Quillette and the author of Your Move: What Board Games Teach Us About Life.
Kobzeva, Nadezda. “Scrabble as a Tool for Engineering Students’ Critical Thinking Skills and Development.” Procedia: Social and Behavioral Sciences, no. 182, 2015, pp. 369-74. ScienceDirect, https://www.sciencedirect.com/ science/article/pii/S1877042815030669.
“Scrabble as a Tool for Engineering Students’ Critical Thinking Skills and Development” presents research involving second-year engineering students and teachers of EFL (English as a Foreign Language) at Tomsk Polytechnic University in Tomsk, Russia. The students, all non- native speakers of English, played Scrabble as an in-class and out-of-class-activity for oneacademic year. At the end of the year, the best six student players competed in teams in a tournament against two teams of the six EFL teachers. Throughout the tournament—which was conducted outside of the classroom to relieve students of the pressure to obtain a high score—the researcher, Nadezda Kobzeva, observed the contrast in the students’ and teachers’ practices as players. While the EFL instructors possessed an advanced knowledge of English language, they were newcomers to Scrabble. On the other hand, the engineering students with limited knowledge of English relied on the skills they developed throughout their year-long Scrabble program. In the feedback the students provided after the tournament, which they won, the majority rated the skills they developed as Scrabble players as excellent in all five fields assessed, including team building, thinking, spatial skills, vocabulary, and spelling.
Kobzeva focuses her research on engineering students, but her findings are also valuable to researchers and teachers in other fields who seek answers to the questions of how Scrabble can be used effectively as a learning tool, and what specific skills students may develop through frequent play. Unlike Mark Hayse’s findings, which focus exclusively on the twenty-first century skills, known as the 4Cs, Kobzeva’s research highlights other skills that students develop—in particular the Russian engineering students’ (non-native speakers of English) greater facility with the English language.
Nadezda Kobzeva is a professor of engineering at Tomsk Polytechnic University. Her other research articles include “Ontology of Key Metasigns in Translatology,” published in V Mire Nauchnykh Otkrytii (In the World of Scientific Discoveries).
Salvant, Ava. Interview. Conducted by Jane Lucas. 23 Oct. 2023.
English 1103 student Ava Salvant reveals that she had never played a game of Scrabble before playing it as a weekly exercise in English 1103. She also notes that the game has “[p]robably influenced [her] ability to write because not always when you sit down to write do you know the exact words that you want to say. You kind of have to go with the flow and put down as many words as you can on the board in Scrabble or on the paper in writing.”
Salvant’s observations as a novice Scrabble player underscore the similarities between game play and the writing process, and they also serve as a point of contrast to that of some other students’—such as Jesse Brewer’s—who bring years of Scrabble experience to their first-year writing class.
Ava Salvant is a sophomore neuroscience major at High Point University, where she was enrolled in English 1103, section 19, in 2023.
Next Up
At the beginning of class on Wednesday we will revisit The Competition and Seedlings, and you will have the remainder of the period to devote to writing your reflection on your final essay and annotated bibliography.
(L-R): The CSE (Council of Science Editors) Scientific Style and Format, The AMA (American Medical Association)Manual of Style, The Chicago Manual of Style, Publication Manual of the American Psychological Association (APA), MLA (Modern Language Association) Handbook
As you continue to revise your final essay and annotated bibliography, pay careful attention to matters of style. If you have questions about the format of a bibliographic entry, look to the resources available to you in the library and online. The list of links on my blog includes the websites for both the MLA Style Center and OWL (Purdue University’s Online Writing Lab). At the library’s reference desk (pictured above), you can pick up a handout on MLA style and consult a physical copy of the MLA Handbook, eighth edition.
If you use a citation generator–either one available through the HPU Libraries databases or elsewhere online–keep in mind that the citations frequently include errors. Compare them with the models at the MLA Style Center, on OWL, or in the MLA Handbook, eighth edition.
Documentation Styles
The library’s reference desk also houses handbooks and handouts for other documentation styles, including APA (the American Psychological Association), CSE (the Council of Science Editors), and Chicago Style. Those are styles you will be required to use for projects in art, history, religion, sciences, and social sciences. For more information on some of the styles you will use in your other college courses, see “The Four Documentation Styles: Similarities and Differences” in Writing Analytically (367-75).
Next Up
Wordplay Day! To prepare for class, revisit the Dictionary and World Builder pages on the Scrabble website, and review the posts on my blog devoted to Scrabble tips.
This morning you will have the class period to continue your research and writing. Although you will be working on your laptops and tablets, you will still be required to submit a handwritten exercise at the end of the class period. It will consist of a minimum of two paragraphs, each of which mentions at least two of your sources. The two paragraphs may be paragraphs from your essay, paragraphs from your bibliography, or a combination of the two. I have included sample paragraphs on the assignment handout as guides for you and am including them below as well.
Sample Essay Paragraph
In “Tabletop Games and 21st Century Skills Practice in the Undergraduate Classroom,” Mark Hayse and his colleagues who participated in the study report “that tabletop gameplay helped students move from classroom passivity to classroom ‘engagement’” (298). My own students did not address engagement in their interviews with me—though their engagement is evident during Scrabble play—but instead focused on vocabulary building and the relationship of the game to the composing process. Jesse Brewer noted that the game has “introduced [him] to new words,” and Ava Salvant observed that the game has “[p]robably influenced [her] ability to write.”
Sample Bibliography Paragraph
The research of Hargreaves and his former colleagues at Cardiff is pertinent to educators who seek to understand the cognitive benefits of frequent Scrabble play. Notably, the semantic deemphasis that the study identifies—and that Jonathan Kay addresses in his commentary—contrasts the gains in language skills that Hetty Yelland observes in her students.
Writing Center
As you continue to revise your final essay and annotated bibliography, consider visiting the Writing Center. If you do so, you will earn five bonus points for the assignment.
To schedule an appointment, visit https://highpoint.mywconline.com, email the Writing Center’s director, Professor Justin Cook, at jcook3@highpoint.edu, or scan the QR code below. To earn bonus points for your final essay and annotated bibliography, consult with a Writing Center tutor no later than Thursday, April 10. The due date for posting the assignment to Blackboard and to your WordPress blog is Wednesday, April 9 (before class); the hard deadline is Friday, April 11 (before class).
Next Up
Wordplay Day! To prepare for class, revisit the Dictionary and World Builder pages on the Scrabble website, and review the posts on my blog devoted to Scrabble tips.